For more than twenty years now, Pixar has been producing a series of acclaimed, technologically innovative, profoundly emotional, absolutely hilarious, thoroughly entertaining animated films. They have also been making the Cars movies, a series of well-intentioned, mostly forgettable animated features about an off-putting world full of anthropomorphic vehicles and their shared obsession with car racing, which – since they themselves are cars – is essentially a ridiculously long, circular foot race.
These Cars films have been the bane of logical thinking since their inception, and no amount of “fan theories” seem to have ameliorated the disturbing possibility that we aren’t watching family films at all, but are instead watching a horrifying post-apocalyptic reality in which these cars killed every man, woman and child on Earth and have usurped every aspect of human culture. And to what end?
I can only assume we have become fuel for these cars, and that our corpses were ground up into the oily necrotic sludge that now powers these vehicular manslaughterers. That also explains why they were so hesitant to accept the new and environmentally friendly fuel sources that were offered over the course of Cars 2. They had to put those dead bodies SOMEWHERE.
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Disney / Pixar
But I digress. It’s safe to say that the Cars films are not actually horror stories in disguise but instead fanciful, family-friendly entertainments that aren’t supposed to be thought about very much. The latest film, Cars 3, illustrates this point. Cars 3 tells a story that only middle-aged adults staring down the barrel of retirement can fully appreciate, but tells it in such a way that only the littlest of kids could possibly be entertained.
Lightning McQueen (voiced by Owen Wilson) is still a champion racer, but a crop of new and improved vehicles are starting to dominate the racing circuit. McQueen’s peers have started taking the hint and rolling into early retirement, but McQueen refuses to accept the possibility that his career is over, and pushes himself into a genuinely horrifying crash.
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Disney / Pixar
Fortunately, every sports story includes a comeback. Lightning McQueen gets a naive young trainer named Cruz Ramirez (Cristela Alonzo) – and spends more time training her than vice-versa – and eventually he makes the following wager with his new sponsor, Sterling (Nathan Fillion): if McQueen wins his next race he’ll stay in the game and be a celebrated champion, but if he loses he’ll become a millionaire spokesperson (spokescar?) and never have to worry about anything else again for the rest of his life.
If you were paying attention to that last sentence you may have noticed one of the biggest flaws with Cars 3. This is a film with very little at stake, and in the sports genre – especially the hyper-simplified sports stories we often tell to kids – that’s a one-way ticket to boredom. We theoretically understand that Lightning McQueen is trying to reclaim his dignity, but he’s pretty much worshipped, beloved and honored by everyone except a new crop of rookies (screw ‘em) and one hack talk show host (screw him too). Dramatically speaking, it’s hardly one of the Rocky movies. (Well, maybe Rocky V.)
Lightning McQueen’s plight is understandable and sympathetic once you reach a certain age, but by that age we probably expect more from our entertainment than these fluffy, ill-conceived Cars movies have been able to offer, at least so far. They are good natured films but it’s not unreasonable to expect more, especially from a company that has spent over two decades producing exactly the sorts of films that – to varying degrees – make Cars 1, 2 and 3 look bad in the first place.
11 Exciting Movies You Didn’t Know Were Coming Out in June 2017:
Top Photo: Disney / Pixar
William Bibbiani (everyone calls him ‘Bibbs’) is Crave’s film content editor and critic. You can hear him every week on The B-Movies Podcast and Canceled Too Soon, and watch him on the weekly YouTube series What the Flick. Follow his rantings on Twitter at @WilliamBibbiani.
11 Exciting Movies You Didn't Know Were Coming Out in June 2017
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Band Aid (June 2)
Zoe Lister-Jones wrote, directed and stars in Band Aid, a comedy about an unhappily married couple who decide to turn their arguments into music.
Photo: IFC Films
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Dean (June 2)
Stand-up comedian Demetri Martin wrote, directed, stars in and provides the illustrations for a comedy about an artist coping with the death of his mother.
Photo: CBS Films
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My Cousin Rachel (June 9)
Enduring Love director Roger Michell adapts Daphne du Maurier's gothic novel, about a man who plots revenge against his cousin, played by Rachel Weisz.
Photo: Fox Searchlight
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The Book of Henry (June 16)
Colin Trevorrow took a break between filming Jurassic World and Star Wars: Episode IX to direct this coming of age drama, about a boy with a plan to rescue his neighbor from her abusive stepfather.
Photo: Focus Features
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I, Daniel Blake (June 16)
Ken Loach's latest film stars Dave Johns as a man who is denied financial support, even though he's unable to work. The acclaimed drama won the Palme d'Or at the 2016 Cannes Film Festival.
Photo: IFC Films
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The Bad Batch (June 23)
Ana Lily Amirpour's follow-up to the horror hit A Girl Walks Home Alone at Night is a dystopian nightmare about cannibalism, revenge and drug use.
Photo: Neon
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The Beguiled (June 23)
In the midst of the Civil War, an all-girls school takes in a wounded soldier, played by Colin Farrell, and fall prey to their fears and desires. Nicole Kidman, Kirsten Dunst and Elle Fanning co-star, and filmmaker Sofia Coppola just won the Best Director award from Cannes, making her the second female recipient in history.
Photo: Focus Features
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The Big Sick (June 23)
A young couple is tested when, shortly after their break-up, she falls extremely ill. The acclaimed romantic comedy was co-written by Kumail Nanjiani (who also stars) and Emily V. Gordon, who based the screenplay the story of their own relationship.
Photo: Lionsgate
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The B-Side: Elsa Dorfman's Portrait Photography (June 30)
The latest documentary from celebrated filmmaker Errol Morris takes a look at Elsa Dorfman, a portrait photographer who uses a rare, gigantic Polaroid camera.
Photo: Neon
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The Little Hours (June 30)
A young, handsome man has to take refuge in a nunnery in the Middle Ages, but the nuns are not what he expected at all. Dave Franco, Alison Brie, Aubrey Plaza and John C. Reilly star.
Photo: Gunpowder & Sky
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13 Minutes (June 30)
In 1939, Johann Georg Else attempted to assassinate Adolf Hitler, but the bomb went off 13 minutes too late, and killed civilians instead. His story is told by Oliver Hirschbiegel, who previously directed the acclaimed Adolf Hitler biopic Downfall.
Photo: Sony Pictures Classics