Snoop Dogg Confirmed as SXSW Keynote Speaker
This week our band was asked to play the McDonald’s Showcase at the annual South by Southwest, also known to music insiders as “SXSW.” Their selling point was that this was “a great opportunity for additional exposure,” and that “McDonald’s will have their global digital team on site to meet with the bands, help with cross promotion, etc”
I don’t, and doubt that they know what this means either. Getting past that rhetoric, at the very least a big corporation like McDonald’s can at least pay their talent a little. Right?
“There isn’t a budget for an artist fee (unfortunately)”
As of 2013, McDonalds is valued at 90.3 billion dollars.
In lieu of being paid like a real artist, or anyone who is employed to do a service, McDonald’s assures us that we will “be featured on screens throughout the event, as well as POSSIBLY mentioned on McDonald’s social media accounts like Facebook (57MM likes!)”
It is a horrifying and gross reality when one sees the true nature of corporations and their pathetic attempts to achieve relevance with millennials. Doritos received a lot of flack for their stage a couple years ago, but i’m going to assume they paid Lady Gaga.
Here is McDonald’s full response to Ex Cops’ statement:
“We follow the same standard protocol as other brands and sponsors by inviting talented and emerging musicians to join us at the SXSW Festival. We look forward to serving McDonald’s food, drinks and fun in Austin. #slownewsday”
When a band with little recognition or backing are on the hook for travel, crew salaries, lights, studio time, manufacturing costs (merch, CDs and so on), utility bills and most of all time, it’s hardly the result of a slow news day to draw attention to vampiric practices by a company whose wealth is directly derived from making people unhealthy worldwide. When a band is faced with a vale reduction to absolute zero by a company whose CEO makes $9,247 an HOUR – which takes an average McDonald’s employee four months to earn – the damning eye of truth doesn’t negotiate color and context.