Clive Barker's cult classic finally returns with 42 minutes of long-lost footage, but it's (mostly) filler.
Fantastic Fest (Page 5)
The director and D.P. of Escape from Tomorrow reveal how they shot a film on the sly at Disneyland.
Robert Rodriguez's sequel to the grindhouse spin-off Machete "feels like an excuse for cheap green screen and CGI gore shots."
The new independent sci-fi thriller is "a profound work of provocative art."
The evolution of Alexa Vega on camera, how Charlie Sheen became Carlos Estevez and the reason for the Sin City:…
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